Skip to main content

Featured Post

How to Draw the Statue of Liberty Easy

the Statue of Liberty - How to Draw step by step By Daniel Vinhas Here's how to draw the Statue of Liberty in an easy step by step with very simple images that you can use to rock the cover of the School work, which will give you draw value 10 just by the cover. October 17, 2019 Steps to the grid You can print the construction lines and draw on parchment paper, or you can draw the grid yourself by following the steps below… 1) At the top of the sheet, determine the position of the head and draw its conditional size using an oval. 2) Draw a vertical line across the middle of the head. This will be the center vertical line of the drawing. 3) From the top edge of the head, draw up two segments equal to the height of the head and one segment one third of its height. Across the segment boundaries, draw horizontal lines. The top line will be the upper limit of the figure. 4) From the top of the head, draw down three segments equal to the heigh...

bt

ipt>

Tools for Watercolor = part 3 of 4


PALETTE
I use an O'Hara palette, upon which the color is a mound on a flat surface.
The reason for this is that sullied color runs off and leaves pure color available on the top of the mound.
A dinner plate or enameled tray has the same advantage. Any palette with color in a depression is mechanically inferior.
Contaminated color becomes a constant problem. Water stays in declivities and when paper is wet you cannot get dry color to put into wet areas. Masterpieces have been painted with color in little holes, but they were made in spite of this handicap.

BRUSHES
Eighty percent of my painting is done with a two-inch camel's-hair flat brush and a one-inch red sable flat. In many pictures no other brushes were used. This may be because demonstrating to classes everyday — committed to one hour of drawing and painting, and talking while I paint (students cannot sit still longer) — I find these brushes faster. The large flat brush, however, has the following undeniable virtues:
(1) A ready-made straight edge — most expedient;
(2) it holds more color and covers areas faster;
(3) it is an infinitely better "lifting" tool, because its thousands of hairs at the end, squeezed dry, are "thirstier";
(4) it is the best known antidote for "hemstitching," breadth of effect being aided mechanically;
( 5 ) holding the brush perpendicular to the plane of the paper, with its end touching the paper, gives to small parts the beauty of a "tool mark."



Any calligrapher knows what I mean. In elementary school art exhibitions, the graphic arts are always superior to the paintings, because the dig of a tool in linoleum blocks or the scratch on scratchboard contains the beaut }- of the unmolested mark.
There are fine watercolorists who paint with very few brushes but, confronted with specific problems in specific areas, I prefer having available the one best tool for the solution. What other brush can do certain jobs as well as a number 4 rigger, for instance? Its long hairs hold enough water to complete the stroke of rigging on ships, cables on derricks, or branches in foliage; they also absorb the trembles of a hand and make easy the essence of a rope or cable—its absolutely smooth curve.
So, I have a two-inch "silvering brush" of camel's-hair and a rigger as help. I want all the help I can get.
Standard equipment would include red sable round brushes. I have numbers 14, 10, 6, 3, and 2 (the big brushes lose their points), and a one-inch red sable, flat. My students and I find my "Whitney Rotary" brush of value—a doubleended brush. With water in one brush and color in the other, an edge can be treated or softened instantly by a flip of the hand, then back to the color-filled brush; this method is used as opposed to that of a stroke, shaking the brush clean in the water, softening the edge, then picking up more color with the brush. To construct this double-ended brush, join the two brushes where the diameters are equal-a wedge on one and a "V" that fits the wedge in the other-bind with fine thread a little Duco cement, and cover with waterproof adhesive.
Before leaving the subject of brushes, I want to agree with George Ennis who said "one brush only is necessary" (the italics are mine ) . He suggested a number 12 round red sable.

COLOR PALETTE ,
To students who are concerned with costs, I say, "It takes a specific quantity of paint to paint a given picture or get a required effect. The quantity of paint you have in your box has nothing to do with the cost of the picture." In fact, if you have a large palette, you can mix your paint with less waste. As to the phrase
"disciplined palette," the discipline should be in the artist, not the palette. Arranging them from hot to cold, I use vermilion, cadmium orange, cadmium yellow deep, strontium, viridian, phthalo green, Prussian blue, cobalt, ultramarine blue, alizarin crimson.
Those are my brights, kept at the top of my slightly tilted palette, so that the sullied color does not run into them. In a lower row I have Indian red, burnt sienna, yellow ochre, raw umber, burnt umber, Payne's gray and ivory black All these colors are reasonably permanent. With them any color can be obtained. I know their characteristics. I use strontium in preference to cadmium pale because it is more opaque, and yellow ochre instead of raw sienna for the same reason. Sufficiently diluted, they are not obvious between you and the paper, and when in small areas you need a light over, or in, a dark, you have it. Incidentally opacity in small areas does not seriously compromise transparency, in fact, it complements it-keying the large areas and making them look more transparent by contrast.
Indian red, another opaque color, is splendid with Prussian blue for dark grays Ivory black makes the most glorious silvery neutral washes in high key. It is sooty and should not be used for middle or low values. However, if you do use it, flavor it with a color put on top of it.

WATER CAN , ,
A flat water can is preferable to a deep one, so that all the color can be rinsed from the brush by banging it against the bottom. It is also a smaller bulge in your bag or tool kit.

KNIFE
The knife is a splendid tool but use it with restraint, especially in first washes where it is apt to have a raw, monotonous aspect. In second washes, the knife mark or mutilation of too pure areas is less dangerous.

<< Initial  - <prev - next>

0

Comments

add

feed

Top Post

Tips How to Draw a Sexy Woman - Naked or Not! - 11 steps

How to Draw a Sexy Woman The chosen design has a better notion of curves and details of the female body   It is almost easy to follow this tutorial, because the illustrations help a lot, just follow carefully, then start with light strokes so you can erase without damaging the drawing and watch the images and success is guaranteed!   Remember that this method can also be used to draw HENTAI.

How to Draw Chibi Deadpool

Learn How to Draw Chibi Deadpool with our step by step drawing lessons. Follow along with our easy step by step drawing lessons. Watch our video previews and then draw it yourself with our easy to follow lessons. Join the Club! SUBSCRIBE Today! We post new lessons every week. 1

How to Draw a Starbucks Frappuccino Cute step by step Cartoon Drink

What's your favorite Starbucks drink? Learn step by step how to draw a cute Starbuck Frappuccino. Thanks for watching!! Please LIKE, COMMENT, and SHARE. =) Thank You!!! Download FREE coloring pages and crafts: http://www.drawsocute.com Join me on http://www.facebook.com/drawsoocute If you want to see behind the scenes sketches of my drawings, please join me on Instagram https://instagram.com/drawsocutebywen... Have a GREAT day and see YOU later! :)

Sci-Fi - How to Draw Robots

Sci-Fi - How to Draw Robots robot 01 when you're designing a robot sidekick, you have any number of options in form and technology. For this exemple, I'm going to create a rudimentary humanoid robot and a more traditionally built robot.

Marge Simpson in Playboy

Playback / Twitter Foto de Marge divulgada no Twitter Photo by Marge posted on Twitter SÃO PAULO – Blogs, sites e Twitter divulgaram imagens do ensaio de Marge Simpson à Playboy americana. SAO PAULO - Blogs, websites and Twitter reported the test images of Marge Simpson on Playboy. Capa da edição de novembro, que já chegou às bancas nos Estados Unidos, ela é personagem do famoso desenho “Os Simpsons”. Cover of the November issue, which has already hit the newsstands in the United States, it is a character from the famous cartoon "The Simpsons." A ideia do ensaio é comemorar os 20 anos da animação, mas diante da crise que afetou gravemente o mercado editorial, a escolha de Marge também seria uma forma da Playboy atrair um público mais jovem. The idea of ​​the test is celebrating 20 years of animation, but given the crisis that severely affected the publishing industry, the choice of Marge would also be a form of Playb...

art: drawings and illustrations pin ups 50s.

Drawing pin up girls position - #Pinup #Poses

Cosplay Universe - What is your passagens aéreas promoção opinion? is art or "lifestyle"?

Cosplay (コスプレ, Kosupure) is short for costume play or roleplay usual (both in English).'s  FUSION OF TWO WORDS. IS THE SHAPE OF ANIME FANS OF TV HEROES pay tribute WEARING THE SAME CHARACTER.  Practice also includes cosplay characters belonging to the vast universe of movies, TV series, books and animations from other countries. On a smaller scale there are those who characterize themselves as historical figures or original creations. A major feature of cosplay is that the practitioner and create the clothes and makeup, also interprets the featured character, playing posture, speech and typical poses and especially personality traits. The hobby usually practiced in events that bring together fans of this universe, like games and anime conventions. The misinformed glances play can seem passagens aéreas promoção somewhat eccentric (even crazy thing!), Often portrayed prejudiced and full of stereotypes about the profile of those who practice form. But just know this universe ...

Snipes

Drawing & Painting Artistic Drawing and painting, to drawing Manga, techniques, tips, tricks you learn to draw in pencil and suggestions of free courses in schools of design or even online.