the Statue of Liberty - How to Draw step by step By Daniel Vinhas Here's how to draw the Statue of Liberty in an easy step by step with very simple images that you can use to rock the cover of the School work, which will give you draw value 10 just by the cover. October 17, 2019 Steps to the grid You can print the construction lines and draw on parchment paper, or you can draw the grid yourself by following the steps below… 1) At the top of the sheet, determine the position of the head and draw its conditional size using an oval. 2) Draw a vertical line across the middle of the head. This will be the center vertical line of the drawing. 3) From the top edge of the head, draw up two segments equal to the height of the head and one segment one third of its height. Across the segment boundaries, draw horizontal lines. The top line will be the upper limit of the figure. 4) From the top of the head, draw down three segments equal to the heigh
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i am back with a
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all in my ongoing see
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various animals we've had how to draw a lion audra tiger leopard fish all kinds
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of different animals this time i'm showing how to draw a cat now a few
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years back i did one on how to draw kitten
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the face was turned a little bit in the three quarter point of view this time
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I'm going to be looking straight ahead so that we can really focus on the
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balance of the facial features well people like to know what size i'm
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working at two in fact i would like to know what size i'm working what size my
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working well with the magic of this drawing tool called a ruler
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we can see that it is four inches from top to bottom
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that works out to 10 centimeters and then I just sort of divided it right
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down the middle there so what's my wasting more time let's go ahead and
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start drawing a basic guideline for the shape of the head
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ok so you can see I've put sort of a circular shape here maybe a little wider
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than it is tall as you can see from top to bottom here just a bit of a gap there
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this line across the middle later on is going to show us where to place the eyes
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and you can see that I've left a gap here for the ears which I think we
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should just go ahead and do right now
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ok so you see the ears are making a little more rounded than you might
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imagine and they don't necessarily come to a real point of the way we also tend
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to picture a cat's ears notice the sort of irregularity down here this like a
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little bit of a wrinkle in the ear at least in some of the cats and the photos
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that I studied something that we don't normally notice until you look real
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carefully but i'm going to go ahead and add just a couple more lines here for
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further defining the ears
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so these two curved lines here and sort of define a part of the head but it's
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really going to be more fur that you're going to see here in fact quite a lot of
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fur in the years later on also hear this is just going to be an area of fur that
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comes up to the really quite thin ridge of the ear
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they will become more visible when we get into the shading part of it let's go
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ahead now though and draw the ice
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so I covered quite a lot of
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here in this step but basically the thing you want to do is get these sort
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of oval shapes to tend to my mind look a little like they're tilted down a bit
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the shape of the outside of each I and in terms of placement and size there's
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about one
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I the space really - between them but to that center line that can help you get
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that where you need of course the cat eyes have this famously unusually shaped
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pupil that can be contracted or dilated and i would say it's a little bit in my
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drawing here a little bit like a leaf shape almost and then I i want to have
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been started to indicate this about black area i'm going to be shading this
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in later on quite dark but there
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as with a lot of animals there's a very often a very dark black area just below
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the eyes i think that the helps with keeping the Sun out of their eyes or I
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don't know what I'll just make up anything
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yes it helps you keeping this out of the right but I was going to try to explain
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this shape here to me it looks a little bit like almost like side mirrors on a
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sports car or something but hopefully that will help you later on we're going
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to be as I said darkening all this and well let's go ahead now and draw i think
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i'll draw both the basic shape of the nose and the mouth
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ok so i tried to refocus the camera so you might get a little a better view of
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this the nose
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you know we sort of think of it as a triangle and indeed it occupies the sort
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of triangular ish space down here but it's rather more complicated than that
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because these nostrils here sort of diagonally inserted into that shape on
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the side
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it almost starts to look like a mushroom doesn't sliced in half that kind of
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thing and then I noticed this when i did the kitten as well that you know we we
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may be imagined a mouth shape that curves up like this on both sides but
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really it's only the central part that is delineated and I decided to go in and
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get the chin in place a lot of this is going to be you know greatly refined
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later on when it comes to drawing the fur and part of the reason why I'm
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zipping through so much right now is to kind of preserved time and allow plenty
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of time for showing how i draw the fur but we're almost able to get into that
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real time drawing i want to do some of the patterns so i'm going to go ahead
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and drop in some of the patterns here above the eyes and into the sides of the
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face
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so I it has to be said that every cat is going to have a different pattern so I
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don't know if you necessarily want to copy this line for line or stripe for
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stripe i guess i would say but there do seem to be you know from one account to
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another at least the ones that have this type of patterning there does seem to be
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a tendency to have a line that starts near the I a stripe the sort of starts
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over here and trails off and then I noticed in a number of photos these sort
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of surprisingly vertical lines in an area that you know human being see as
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the sort of eyebrow area and what I want to do now is to add in just one extra
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line here that's going to help sort of rope off a space where there is a lot of
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white for and then add a couple of rows of dots here that go right across the
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snow to the region where the I guess the area of the upper lip i would call it so
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let's go ahead and get that in place and I think we can kind of stop with all of
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these lines and and get on to doing the real-time shading
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so in this area where the whiskers emanate from there are the surprisingly
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regular horizontal rows of dots again varying from one type of kin to another
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but at least in one of the photos i studied really bold some of these dots
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here but as I said quite regular and there might even be a hint of a fourth
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horizontal row down here on the disk master
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drop that and they not quite as dark again on the photo that i looked at on
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one of these cats
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it seemed to be the darkest areas seem to be up here and it seemed to get
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lighter and then I noticed that this one came this rope him right up until it
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almost reached the area of the nose I think I'm getting a little carried away
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with the precision here this line here as i said is going to delineate a white
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area an area of white for that comes right outside of this this area here
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which I said earlier is going to be quite black so there's this very bold
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the area of high contrast right around the eyes
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well I think maybe one last thing that I'm going to do is to drop in some lines
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for the neck and then maybe just a little hint of where this fur begins to
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appear and then at last we will be able to send old man time lapse on his way
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off to get a cup of coffee
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- man you were working me hard today and then we will get onto the real-time part
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of the
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so the lines of the neck here I think depending on the posture of the cat
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maybe if it raises his head up high this gets a little narrower in any case of
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here we see a jagged line that's going to help me know where to put the this
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massive amount of white fur into each one of the ears but for now let's go
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ahead and move on to doing some real time drawing in the area of the eyes
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alright so let's go ahead and get into the area of the eyes here this part of
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this part around the whole edge the eye is indeed going to go very dark indeed
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but I think I'll sort of hold off on that because it's mostly going to be
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done with a black prismacolor colored pencil but let's go ahead now and start
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working on doing some hopefully subtle shading here on the interior of the eyes
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this is I guess them the iris the sort of colored area of the eye that would
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that fills in the in the case of a cat seems to fill the entire space whereas
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in human eyes you have
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outside of this Irish you have the whites of the eyes and quite subtle the
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shading in here in the photos i looked at this
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the pupil area is going to go jet black
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but i noticed just slightly darker shading near the edge of the people and
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you could maybe go just a touch darker at the top of the whole iris them
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at the bottom
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not one of the nice things about a cat's face in terms of doing a drawing lesson
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like this is that it is very symmetrical and almost anything that I do gets
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repeated just in mirror image on the opposite side and so what I intend to do
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is to flip all you know do all the all those flip side parts of the drawing in
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time lapse and so is to conserve time i'm going to go ahead then and do that
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and everything that you saw me do here i'm going to do over there in time lives
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so now we can start moving down into the area of the nose one thing about the
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shape that I put in here to be to begin with that I didn't really get to is it a
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little bit of a dividing line right here at the bottom that splits the nose into
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two halves
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let's go ahead and just darken and this whole area again i'll be pulling out a
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black colored pencil later on in the process to really you know beef up the
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contrast to make this super dark but for now I just want you to be able to see
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what it is we're heading toward and then in terms of shading i'm going to put
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down a sort of a base layer of grey here i guess would be pink
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if you were doing this full color and again I suppose different types of cats
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are going to have different coloration down here but I did notice in the photos
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that I studied a little bit more darkness down towards the bottom then at
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the top some sort of fun
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darkening things and just a bit and you know you could maybe even erase away a
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little bit up here near the top sister to convey that now what's going to
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happen all across the top here i guess i'll just go ahead and get started with
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this is that there is a pretty intense colouring just above the nose and you
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know we were not quite ready to get into the part related to drawing fur but it
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is sort of interesting that it across the top of the nose the sort of bridge
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of the nose
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there's this super short for it's just um
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you can't even discern the difference the the hair is almost it's all so
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tightly packed and I'm not really sure why the it evolved that way I suppose
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you
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you can get away with fur being long at the outside to the edge you wouldn't
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want to be long here across the nose would get in the ways of getting away
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the eyes i suppose but it is sort of interesting to notice the difference in
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length and I'm just I can't do all of this real time I just want to sort of
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show you how there's this interesting gradient fade as it goes up and works
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its way up the nose of the nose but it went up my nose dude
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no I grow across the bridge of the nose it gets lighter and lighter as it goes
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up here and it's sort of um I guess I can you know i'll be refining this later
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on but you can begin to see what I'm talking about that there is sort of an
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interesting change in color and then across the edge i suppose I might as
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well just continue with this
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it darkens up again over here on the edges of the nose again probably
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changing from one breed of cat to another but even in cartoons in cartoony
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drawings of cats you'll often see the two lines right here to sort of convey
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that shape of the the can't knows it is fairly important that we suggest the
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structure here and well anyway - I'm going to refine this much further but i
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suppose i can right now continue down to the mouth and the area of the mouth
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itself is relatively easy to draw
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there's a bit of shading that's going to occur right here near the bottom
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sort of . of the nose and then just a little almost little diamond shape or
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you know circular shape of darkness here where you may see the I suppose it's the
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lower lip or something but it pretty immediately fades off into the fur of
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the
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the chin I guess it would have to be down here and bother this line that I've
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made a very round and smooth is actually meant to be the contour of fur that by
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the time you get down here is starting to get a little longer so i'm i'm kind
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of redrawing this to suggest that it's for rather than some very smooth
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human-like gym
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we didn't want my cat to have a human-like seen in any case I think we
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can now move on to drawing the ears will get the ears and then hopefully we'll
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have plenty of time left over for drawing the fur
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alright so the first thing I'm going to do here is to add just a little pointy
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tuft of darker for right here at the tip again don't know if this is true of
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every single breed
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I don't want to speak for all cats
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you know I think I speak for all cats when I say well drilling that was really
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bad but I I do find myself having to repeatedly say you have a said this may
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be true of some breeds and not of others and indeed this next part is no
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exception but I did notice that the sort of wrinkle down here occurs and i'm
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going to start shading into to sort of convey what I'm talking about that at
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least with some cat breeds you don't get this perfect perfectly smooth triangular
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shape that the the flesh of the ear sort of bends in sort of wrinkles em for
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whatever reason I'm some of these cats and you end up with this shaded area
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gets a little shady down here and the if you're you know if you can study the
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photo really carefully you'll actually begin to get a sense of the
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you're wrinkling in here in creating this secondary area i'm going to go
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ahead and just continue adding the the pencil gray all the way through
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what you know sort of amounts to the interior of the ear and most of that
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most of this sort of inside the back wall of the ear angus is my best way of
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describing it ends up being obscured by fur that is coming across now when it
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comes to drawing fer my big thing is to pay attention to the direction and not
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just have a bunch of messy random looking lines
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yeah the furthest massive amount of further the grows seemingly out of the
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inside corner of the year here is going sort of largely horizontal with the
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gentle curves to it
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it is quite white and so even as I draw it now i may be erasing a way to get
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back to the White of the page
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sometimes you know when you're trying to draw something that's white you are just
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leaving the letting the page itself be the white and you end up drawing the
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sort of spaces behind so like right here I'm kind of trying to draw the Darkin in
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the back part of the year
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so as to make this for look increasingly white as i said i will maybe be racing
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away and i'm probably going to pull out my beloved whitewash to do some final
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touches later on
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I keep thinking about the whiskers the whiskers are also white and that becomes
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a challenge for an artist to you know to draw white lines basically is what
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you're being asked
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to do but maybe it's just because of the the lighting or whatever but the this
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area there's not so much light reaching the fur over here and so this part back
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here also is getting gonna get shaded in a little bit
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well happily this is one of these areas where i can tell you that the other
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years the same thing just flipped around a mirror image before I get to that list
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of possible just point out quickly
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the direction that these little hairs are growing in up here kind of quite a
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vertical right here in this area where is this line that I put in initially
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again to describe your kind of radiating out from the inside
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from the center of the the face and that becomes kind of true of the fur in
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general i like that phrase radiating out it is sort of all pointing out like the
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face of a clock or something on the fur tends to grow
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roughly speaking in that direction well let's go ahead now and I'm going to do
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in time-lapse do the other ear basically exactly the same way
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so you see the area of the ear
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the complex actually if you're trying to do a faithful in a realistic drawing of
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a cat but it's not necessary to get so concerned with these details i think if
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you get the basics of it you know
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are people really looking at the ears when they look at the your cat trying
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I don't think so they're going to be mainly looking at the eyes and the nose
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and so forth so anyway I think it's time to start moving on to drawing the fur
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and as i said i'm gonna i tried to reserve some space here at the end of
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this video so as to do some of the four real time drawing for is notoriously
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time consuming so I can't promise that you're going to see everything down the
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real time but i'm starting with these stripes here and go ahead and darken
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goes in as I said there is a tendency for the fur to kind of radiate out from
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the inside of the like from a central point on the face and so all this fur
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here which is fairly short at least uh on the type of the breed of cat eyes it
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was looking at as I study different photos you can see the individual hairs
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and so it is wise to make some note of the direction that they're pointing and
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in and begin to replicate that in your drawing
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so I'm getting all that into place here at a little bit of whiteness
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I found in this area near the ear which should hopefully also conveys that you
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know gives us some contrast there and helps to hear you know how it helps to
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convey the shape of the ears
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I think over here where I have a very simple circular shape that's going to
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have to go and be replaced by a more jagged edge that is you know filled with
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indications of the fur
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by the time you get over here i believe it is mostly horizontal
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directionally speaking i believe there is a horizontality to the cats for you
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know it i went back and listened to the kitten the with video that I did I'm how
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to draw a kitten and it's filled with terrible english accents
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so if you want to hear me do more horrible english accents go ahead and
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check out my how to draw a kitten video i will link to the the whole the entire
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playlist of all these various animals in the info box of this video in the
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description and up here between these two stripes
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it seems to me fairly consistent among striped cats in the striped cat
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community they seem to favor a number of smaller stripes here in between straight
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up the middle and i'll be honest i'm just roof
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you know this is not based on examining some sort of pattern from a photo and
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trying to carefully replicate it this is me just sort of dropping in stripes
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willy nilly willy clearly with hooked with wild abandon
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but you know probably there are people out there watching this video you know
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more about cats than I do
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probably because it's guaranteed and they could tell me if there is
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consistency in this patterning i'm particularly curious about this idea of
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there being maybe one major one here another new smaller one off to the side
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and then this sort of patterning that I've been talking about right up the
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middle
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I wonder that is fairly consistent from one cat to another or indeed do you see
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them going horizontally across I have a feeling you down
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I'm just gonna throw it in my my ignorance
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I have a feeling it
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using my intuition I i'm guessing that it's kind of like that
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in any case this shows you the basic direction as we get down here to the
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eyes again seems to me that there
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it's lightening up and getting wider as we get closer to that initial shape of
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the eye so you could almost kind of just my shorthand way I'm gonna try to get
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some gray and hear that is not really showing the direction of the first just
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right hopefully helping you to see how white it gets in this area just outside
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it's like it goes completely black
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just outside the eye and then it goes white again just outside of that
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blackberry and then you get into the more mixed for area i guess now's as
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good a time as any for me to go in and start and continuing this darkness up
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the bridge of the nose and you know as usual I can sort of sense the the length
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of this video stretching out going
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minute by minutes into a longer and longer video and I fear some people just
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won't even click on a video that is 30 40 50 minutes long so i do have to sort
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of rain at in terms of CH showing everything from here on out real time
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but how about if i shift focus on the camera shipped down to the lower part of
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the face so that i can i start to point out some of the shading down there and
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then it may be time to just sort of kick it in the time lapse and move towards
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completion but let's go ahead and draw the lower part of the cat's face
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ok so i wanted to quickly show how this area down here and we had a circle down
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there to begin with that probably needs to be adjusted
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to suggest a slightly more triangular shaped to the jaw as it comes down here
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to the chin and I'm not trying to indicate for here right now I'm just
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going in and getting some gray
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so as to help you see the shape of this white area both pencil falling to the
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floor
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recorded on youtube for all eternity
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but coming up here this this whole basic shape down here is defined by whiteness
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hopefully that is true of a wide variety of cat breeds and not just the photos
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that I studied up here as we move north from the mouth
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can we use directions north west from the mouth . we are going to get some
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shading in here and if you want to really go for the details
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I do believe you can see individual hairs again sort of radiating out from
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the center of the face but very short i believe the fur in this part of the face
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very very short very trim you know when they're when cats go to the barber they
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say please just really keep it real short there across the front of my face
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it's just they can't stand it have it get real shaggy there
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so across this area i had put in you know it somewhat random shape
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I don't know it's me you know based on a photo that i looked at I don't know if
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there's any consistency from one breed to another but at least one type of cats
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and there's darkness
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sort of i'm making it kind of a gray but right along here as I said quite a lot
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of white just beneath the eye and let's see oh we're gonna get down to this area
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where you're going to see the whiskers and I thought maybe that could be one of
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the last things I'm just gonna sort of - in a fair amount of grey here so as to
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show you how you might be able to draw whiskers in here with any racer
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so I'm kind of cheating a little bit here i'm going to refine the shading
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quite a bit later on but i wanted to get in sort of a base of grey here so that i
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can switch to a brand new pencil right out of the box that has the nice you
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know
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untouched eraser that will allow me to go in here and start going across
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excuse me and hopefully you can begin to see how this might allow you to two
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indications of whiskers
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you do want to pay attention to the direction the whiskers tend to go strip
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start horizontal near the top and then begin with gentle curves to begin
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pointing and down
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I guess a little diagonally you might say they're also our whiskers I don't
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know they're called whiskers white hairs of the sort right up here in what we
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would think of as the eyebrow region the I bravia
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region as we call it not nearly as many as down near the nose i would say maybe
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three or four at most but what I'm gonna do later on is used whitewash to make
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this white her still
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I thought I'd give you the option for those of you who don't want to mess
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around with white wash which is an opaque white paint you can maybe get
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away with just using any racer for conveying a little bit of the whiskers
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well I am sad to say that I think we have reached maybe the end of the real
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time drawing i hope you got enough of my point is I'm drawing the fur I know that
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can be you know a contentious issue for some of my viewers
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they're like I got everything was fine until you started racing through the fur
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well it really is a time-consuming thing to do the kind of drawing that I'm going
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to do here this morning
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for me it's morning for you it may well be the middle of the night but to do
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this kind of drawing this level of detail it's gonna take me like three
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hours altogether and i would think and i am not going to upload a three hour
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video folks not the day anyway so i'm going to go ahead and refocus so as to
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cover all the rest of the fur and so forth and even bring in my black and
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prismacolor my trusty black prismacolor which is really just a fairly ordinary
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black colored pencil to darken things and i'm going to do all that stuff and
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maybe just come back to do a little bit of the wash application real time before
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we wind down the video
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yeah
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yeah
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yeah
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all right well as you can see I put a lot of time into rendering the fur and
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probably two hours all together to achieve this effect and yeah sadly you
31:44
can't just show all 2 hours real-time like that but you know maybe in the
31:47
future I can come up with
31:49
finally the video that focuses on forever and creating the effect of fur
31:55
but for now what I want to do is add a little bit of whitewash which is an
32:00
opaque white paint you have to dilute it with water a little bit and then that
32:07
allows you to add some highlights like I'm going to do right now to the eyes
32:12
now of course you could just try to avoid putting pencil there or erase it
32:19
away but with the whitewash you can get real sharp edges to the White that's
32:27
pretty hard to do when you're erasing my way to the White of the page and I
32:33
didn't mean to say that all you need to go out and buy some like wash i just
32:37
wanted to show people the effects that were possible if you did decide to
32:42
invest it doesn't cost that much
32:44
invest I'm going to invest in white wash it's only like two dollars or something
32:48
to get a tube of whitewash
32:51
but as I said don't forget to dilute it a little bit with water well i'm going
32:55
to go ahead and finally one last little bout of time lapse here to use this
33:00
whitewash to get just that last bit of contrast in here maybe on the sum of the
33:05
whiskers and so forth and then i'll be back with a few final words
33:12
all right
33:14
others my video on how to draw a cat please let me know what you thought my
33:18
apologies for having taken so long since the last animal related video that's why
33:24
i put a little extra time into this one I wanted to make it something special
33:27
sort of make up for the lost time but hopefully i'll have another animal how
33:30
to draw video a lot sooner but until then I want to thank anyone who has
33:35
supported me by getting any of my books like Brody's ghost and miki falls both
33:39
of these graphic novels and the realism challenge probably the closest thing to
33:43
what you saw in this video today and teaching you hyper realistic drawing
33:48
illustrating techniques and of course mastering manga and mastering manga to
33:52
always super appreciative of anyone who helps me out by getting any of those
33:56
books but let me go ahead and lay down this pencil
33:59
I want to thank you all for watching this video I hope you found it helpful
34:02
and i'll be back with another real soon1
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0:10
i am back with a
0:12
all in my ongoing see
0:16
various animals we've had how to draw a lion audra tiger leopard fish all kinds
0:21
of different animals this time i'm showing how to draw a cat now a few
0:26
years back i did one on how to draw kitten
0:28
the face was turned a little bit in the three quarter point of view this time
0:31
I'm going to be looking straight ahead so that we can really focus on the
0:35
balance of the facial features well people like to know what size i'm
0:39
working at two in fact i would like to know what size i'm working what size my
0:43
working well with the magic of this drawing tool called a ruler
0:48
we can see that it is four inches from top to bottom
0:52
that works out to 10 centimeters and then I just sort of divided it right
0:59
down the middle there so what's my wasting more time let's go ahead and
1:02
start drawing a basic guideline for the shape of the head
1:06
ok so you can see I've put sort of a circular shape here maybe a little wider
1:11
than it is tall as you can see from top to bottom here just a bit of a gap there
1:15
this line across the middle later on is going to show us where to place the eyes
1:20
and you can see that I've left a gap here for the ears which I think we
1:24
should just go ahead and do right now
1:30
ok so you see the ears are making a little more rounded than you might
1:34
imagine and they don't necessarily come to a real point of the way we also tend
1:39
to picture a cat's ears notice the sort of irregularity down here this like a
1:44
little bit of a wrinkle in the ear at least in some of the cats and the photos
1:48
that I studied something that we don't normally notice until you look real
1:52
carefully but i'm going to go ahead and add just a couple more lines here for
1:56
further defining the ears
1:59
so these two curved lines here and sort of define a part of the head but it's
2:04
really going to be more fur that you're going to see here in fact quite a lot of
2:08
fur in the years later on also hear this is just going to be an area of fur that
2:12
comes up to the really quite thin ridge of the ear
2:17
they will become more visible when we get into the shading part of it let's go
2:20
ahead now though and draw the ice
2:29
so I covered quite a lot of
2:32
here in this step but basically the thing you want to do is get these sort
2:35
of oval shapes to tend to my mind look a little like they're tilted down a bit
2:41
the shape of the outside of each I and in terms of placement and size there's
2:45
about one
2:46
I the space really - between them but to that center line that can help you get
2:51
that where you need of course the cat eyes have this famously unusually shaped
2:56
pupil that can be contracted or dilated and i would say it's a little bit in my
3:03
drawing here a little bit like a leaf shape almost and then I i want to have
3:09
been started to indicate this about black area i'm going to be shading this
3:12
in later on quite dark but there
3:15
as with a lot of animals there's a very often a very dark black area just below
3:19
the eyes i think that the helps with keeping the Sun out of their eyes or I
3:24
don't know what I'll just make up anything
3:27
yes it helps you keeping this out of the right but I was going to try to explain
3:31
this shape here to me it looks a little bit like almost like side mirrors on a
3:36
sports car or something but hopefully that will help you later on we're going
3:41
to be as I said darkening all this and well let's go ahead now and draw i think
3:45
i'll draw both the basic shape of the nose and the mouth
3:53
ok so i tried to refocus the camera so you might get a little a better view of
3:57
this the nose
3:58
you know we sort of think of it as a triangle and indeed it occupies the sort
4:02
of triangular ish space down here but it's rather more complicated than that
4:07
because these nostrils here sort of diagonally inserted into that shape on
4:12
the side
4:13
it almost starts to look like a mushroom doesn't sliced in half that kind of
4:18
thing and then I noticed this when i did the kitten as well that you know we we
4:22
may be imagined a mouth shape that curves up like this on both sides but
4:27
really it's only the central part that is delineated and I decided to go in and
4:31
get the chin in place a lot of this is going to be you know greatly refined
4:35
later on when it comes to drawing the fur and part of the reason why I'm
4:40
zipping through so much right now is to kind of preserved time and allow plenty
4:45
of time for showing how i draw the fur but we're almost able to get into that
4:51
real time drawing i want to do some of the patterns so i'm going to go ahead
4:54
and drop in some of the patterns here above the eyes and into the sides of the
4:59
face
5:07
so I it has to be said that every cat is going to have a different pattern so I
5:11
don't know if you necessarily want to copy this line for line or stripe for
5:16
stripe i guess i would say but there do seem to be you know from one account to
5:22
another at least the ones that have this type of patterning there does seem to be
5:26
a tendency to have a line that starts near the I a stripe the sort of starts
5:32
over here and trails off and then I noticed in a number of photos these sort
5:37
of surprisingly vertical lines in an area that you know human being see as
5:42
the sort of eyebrow area and what I want to do now is to add in just one extra
5:49
line here that's going to help sort of rope off a space where there is a lot of
5:53
white for and then add a couple of rows of dots here that go right across the
5:59
snow to the region where the I guess the area of the upper lip i would call it so
6:06
let's go ahead and get that in place and I think we can kind of stop with all of
6:09
these lines and and get on to doing the real-time shading
6:19
so in this area where the whiskers emanate from there are the surprisingly
6:26
regular horizontal rows of dots again varying from one type of kin to another
6:33
but at least in one of the photos i studied really bold some of these dots
6:38
here but as I said quite regular and there might even be a hint of a fourth
6:44
horizontal row down here on the disk master
6:48
drop that and they not quite as dark again on the photo that i looked at on
6:57
one of these cats
6:58
it seemed to be the darkest areas seem to be up here and it seemed to get
7:02
lighter and then I noticed that this one came this rope him right up until it
7:06
almost reached the area of the nose I think I'm getting a little carried away
7:09
with the precision here this line here as i said is going to delineate a white
7:16
area an area of white for that comes right outside of this this area here
7:22
which I said earlier is going to be quite black so there's this very bold
7:26
the area of high contrast right around the eyes
7:30
well I think maybe one last thing that I'm going to do is to drop in some lines
7:36
for the neck and then maybe just a little hint of where this fur begins to
7:41
appear and then at last we will be able to send old man time lapse on his way
7:47
off to get a cup of coffee
7:50
- man you were working me hard today and then we will get onto the real-time part
7:55
of the
8:01
so the lines of the neck here I think depending on the posture of the cat
8:05
maybe if it raises his head up high this gets a little narrower in any case of
8:10
here we see a jagged line that's going to help me know where to put the this
8:14
massive amount of white fur into each one of the ears but for now let's go
8:20
ahead and move on to doing some real time drawing in the area of the eyes
8:26
alright so let's go ahead and get into the area of the eyes here this part of
8:30
this part around the whole edge the eye is indeed going to go very dark indeed
8:34
but I think I'll sort of hold off on that because it's mostly going to be
8:39
done with a black prismacolor colored pencil but let's go ahead now and start
8:44
working on doing some hopefully subtle shading here on the interior of the eyes
8:51
this is I guess them the iris the sort of colored area of the eye that would
9:00
that fills in the in the case of a cat seems to fill the entire space whereas
9:07
in human eyes you have
9:08
outside of this Irish you have the whites of the eyes and quite subtle the
9:14
shading in here in the photos i looked at this
9:18
the pupil area is going to go jet black
9:23
but i noticed just slightly darker shading near the edge of the people and
9:35
you could maybe go just a touch darker at the top of the whole iris them
9:41
at the bottom
9:45
not one of the nice things about a cat's face in terms of doing a drawing lesson
9:50
like this is that it is very symmetrical and almost anything that I do gets
9:56
repeated just in mirror image on the opposite side and so what I intend to do
10:00
is to flip all you know do all the all those flip side parts of the drawing in
10:07
time lapse and so is to conserve time i'm going to go ahead then and do that
10:12
and everything that you saw me do here i'm going to do over there in time lives
10:19
so now we can start moving down into the area of the nose one thing about the
10:24
shape that I put in here to be to begin with that I didn't really get to is it a
10:29
little bit of a dividing line right here at the bottom that splits the nose into
10:34
two halves
10:35
let's go ahead and just darken and this whole area again i'll be pulling out a
10:41
black colored pencil later on in the process to really you know beef up the
10:47
contrast to make this super dark but for now I just want you to be able to see
10:50
what it is we're heading toward and then in terms of shading i'm going to put
10:56
down a sort of a base layer of grey here i guess would be pink
11:00
if you were doing this full color and again I suppose different types of cats
11:06
are going to have different coloration down here but I did notice in the photos
11:11
that I studied a little bit more darkness down towards the bottom then at
11:17
the top some sort of fun
11:19
darkening things and just a bit and you know you could maybe even erase away a
11:23
little bit up here near the top sister to convey that now what's going to
11:28
happen all across the top here i guess i'll just go ahead and get started with
11:31
this is that there is a pretty intense colouring just above the nose and you
11:43
know we were not quite ready to get into the part related to drawing fur but it
11:48
is sort of interesting that it across the top of the nose the sort of bridge
11:54
of the nose
11:55
there's this super short for it's just um
12:00
you can't even discern the difference the the hair is almost it's all so
12:05
tightly packed and I'm not really sure why the it evolved that way I suppose
12:13
you
12:15
you can get away with fur being long at the outside to the edge you wouldn't
12:20
want to be long here across the nose would get in the ways of getting away
12:23
the eyes i suppose but it is sort of interesting to notice the difference in
12:27
length and I'm just I can't do all of this real time I just want to sort of
12:32
show you how there's this interesting gradient fade as it goes up and works
12:41
its way up the nose of the nose but it went up my nose dude
12:48
no I grow across the bridge of the nose it gets lighter and lighter as it goes
12:52
up here and it's sort of um I guess I can you know i'll be refining this later
12:57
on but you can begin to see what I'm talking about that there is sort of an
12:59
interesting change in color and then across the edge i suppose I might as
13:05
well just continue with this
13:07
it darkens up again over here on the edges of the nose again probably
13:15
changing from one breed of cat to another but even in cartoons in cartoony
13:26
drawings of cats you'll often see the two lines right here to sort of convey
13:30
that shape of the the can't knows it is fairly important that we suggest the
13:38
structure here and well anyway - I'm going to refine this much further but i
13:42
suppose i can right now continue down to the mouth and the area of the mouth
13:49
itself is relatively easy to draw
13:53
there's a bit of shading that's going to occur right here near the bottom
13:59
sort of . of the nose and then just a little almost little diamond shape or
14:07
you know circular shape of darkness here where you may see the I suppose it's the
14:12
lower lip or something but it pretty immediately fades off into the fur of
14:19
the
14:20
the chin I guess it would have to be down here and bother this line that I've
14:26
made a very round and smooth is actually meant to be the contour of fur that by
14:36
the time you get down here is starting to get a little longer so i'm i'm kind
14:40
of redrawing this to suggest that it's for rather than some very smooth
14:45
human-like gym
14:49
we didn't want my cat to have a human-like seen in any case I think we
14:56
can now move on to drawing the ears will get the ears and then hopefully we'll
15:00
have plenty of time left over for drawing the fur
15:03
alright so the first thing I'm going to do here is to add just a little pointy
15:07
tuft of darker for right here at the tip again don't know if this is true of
15:12
every single breed
15:13
I don't want to speak for all cats
15:18
you know I think I speak for all cats when I say well drilling that was really
15:24
bad but I I do find myself having to repeatedly say you have a said this may
15:32
be true of some breeds and not of others and indeed this next part is no
15:36
exception but I did notice that the sort of wrinkle down here occurs and i'm
15:41
going to start shading into to sort of convey what I'm talking about that at
15:46
least with some cat breeds you don't get this perfect perfectly smooth triangular
15:51
shape that the the flesh of the ear sort of bends in sort of wrinkles em for
16:00
whatever reason I'm some of these cats and you end up with this shaded area
16:06
gets a little shady down here and the if you're you know if you can study the
16:15
photo really carefully you'll actually begin to get a sense of the
16:19
you're wrinkling in here in creating this secondary area i'm going to go
16:25
ahead and just continue adding the the pencil gray all the way through
16:32
what you know sort of amounts to the interior of the ear and most of that
16:41
most of this sort of inside the back wall of the ear angus is my best way of
16:49
describing it ends up being obscured by fur that is coming across now when it
16:58
comes to drawing fer my big thing is to pay attention to the direction and not
17:04
just have a bunch of messy random looking lines
17:07
yeah the furthest massive amount of further the grows seemingly out of the
17:14
inside corner of the year here is going sort of largely horizontal with the
17:22
gentle curves to it
17:24
it is quite white and so even as I draw it now i may be erasing a way to get
17:31
back to the White of the page
17:34
sometimes you know when you're trying to draw something that's white you are just
17:38
leaving the letting the page itself be the white and you end up drawing the
17:44
sort of spaces behind so like right here I'm kind of trying to draw the Darkin in
17:50
the back part of the year
17:52
so as to make this for look increasingly white as i said i will maybe be racing
18:01
away and i'm probably going to pull out my beloved whitewash to do some final
18:06
touches later on
18:07
I keep thinking about the whiskers the whiskers are also white and that becomes
18:12
a challenge for an artist to you know to draw white lines basically is what
18:18
you're being asked
18:20
to do but maybe it's just because of the the lighting or whatever but the this
18:25
area there's not so much light reaching the fur over here and so this part back
18:31
here also is getting gonna get shaded in a little bit
18:34
well happily this is one of these areas where i can tell you that the other
18:39
years the same thing just flipped around a mirror image before I get to that list
18:44
of possible just point out quickly
18:47
the direction that these little hairs are growing in up here kind of quite a
18:52
vertical right here in this area where is this line that I put in initially
18:57
again to describe your kind of radiating out from the inside
19:03
from the center of the the face and that becomes kind of true of the fur in
19:08
general i like that phrase radiating out it is sort of all pointing out like the
19:15
face of a clock or something on the fur tends to grow
19:19
roughly speaking in that direction well let's go ahead now and I'm going to do
19:23
in time-lapse do the other ear basically exactly the same way
19:35
so you see the area of the ear
19:39
the complex actually if you're trying to do a faithful in a realistic drawing of
19:44
a cat but it's not necessary to get so concerned with these details i think if
19:48
you get the basics of it you know
19:50
are people really looking at the ears when they look at the your cat trying
19:53
I don't think so they're going to be mainly looking at the eyes and the nose
19:57
and so forth so anyway I think it's time to start moving on to drawing the fur
20:02
and as i said i'm gonna i tried to reserve some space here at the end of
20:07
this video so as to do some of the four real time drawing for is notoriously
20:13
time consuming so I can't promise that you're going to see everything down the
20:18
real time but i'm starting with these stripes here and go ahead and darken
20:23
goes in as I said there is a tendency for the fur to kind of radiate out from
20:28
the inside of the like from a central point on the face and so all this fur
20:35
here which is fairly short at least uh on the type of the breed of cat eyes it
20:43
was looking at as I study different photos you can see the individual hairs
20:49
and so it is wise to make some note of the direction that they're pointing and
20:57
in and begin to replicate that in your drawing
21:02
so I'm getting all that into place here at a little bit of whiteness
21:07
I found in this area near the ear which should hopefully also conveys that you
21:12
know gives us some contrast there and helps to hear you know how it helps to
21:20
convey the shape of the ears
21:21
I think over here where I have a very simple circular shape that's going to
21:26
have to go and be replaced by a more jagged edge that is you know filled with
21:33
indications of the fur
21:35
by the time you get over here i believe it is mostly horizontal
21:42
directionally speaking i believe there is a horizontality to the cats for you
21:51
know it i went back and listened to the kitten the with video that I did I'm how
21:54
to draw a kitten and it's filled with terrible english accents
21:58
so if you want to hear me do more horrible english accents go ahead and
22:04
check out my how to draw a kitten video i will link to the the whole the entire
22:11
playlist of all these various animals in the info box of this video in the
22:19
description and up here between these two stripes
22:26
it seems to me fairly consistent among striped cats in the striped cat
22:31
community they seem to favor a number of smaller stripes here in between straight
22:40
up the middle and i'll be honest i'm just roof
22:45
you know this is not based on examining some sort of pattern from a photo and
22:50
trying to carefully replicate it this is me just sort of dropping in stripes
22:56
willy nilly willy clearly with hooked with wild abandon
23:01
but you know probably there are people out there watching this video you know
23:07
more about cats than I do
23:08
probably because it's guaranteed and they could tell me if there is
23:13
consistency in this patterning i'm particularly curious about this idea of
23:19
there being maybe one major one here another new smaller one off to the side
23:23
and then this sort of patterning that I've been talking about right up the
23:26
middle
23:27
I wonder that is fairly consistent from one cat to another or indeed do you see
23:33
them going horizontally across I have a feeling you down
23:37
I'm just gonna throw it in my my ignorance
23:41
I have a feeling it
23:44
using my intuition I i'm guessing that it's kind of like that
23:49
in any case this shows you the basic direction as we get down here to the
23:55
eyes again seems to me that there
23:57
it's lightening up and getting wider as we get closer to that initial shape of
24:05
the eye so you could almost kind of just my shorthand way I'm gonna try to get
24:09
some gray and hear that is not really showing the direction of the first just
24:17
right hopefully helping you to see how white it gets in this area just outside
24:23
it's like it goes completely black
24:26
just outside the eye and then it goes white again just outside of that
24:32
blackberry and then you get into the more mixed for area i guess now's as
24:40
good a time as any for me to go in and start and continuing this darkness up
24:46
the bridge of the nose and you know as usual I can sort of sense the the length
24:54
of this video stretching out going
24:58
minute by minutes into a longer and longer video and I fear some people just
25:03
won't even click on a video that is 30 40 50 minutes long so i do have to sort
25:09
of rain at in terms of CH showing everything from here on out real time
25:15
but how about if i shift focus on the camera shipped down to the lower part of
25:20
the face so that i can i start to point out some of the shading down there and
25:25
then it may be time to just sort of kick it in the time lapse and move towards
25:29
completion but let's go ahead and draw the lower part of the cat's face
25:33
ok so i wanted to quickly show how this area down here and we had a circle down
25:38
there to begin with that probably needs to be adjusted
25:43
to suggest a slightly more triangular shaped to the jaw as it comes down here
25:49
to the chin and I'm not trying to indicate for here right now I'm just
25:53
going in and getting some gray
25:57
so as to help you see the shape of this white area both pencil falling to the
26:07
floor
26:09
recorded on youtube for all eternity
26:13
but coming up here this this whole basic shape down here is defined by whiteness
26:21
hopefully that is true of a wide variety of cat breeds and not just the photos
26:30
that I studied up here as we move north from the mouth
26:35
can we use directions north west from the mouth . we are going to get some
26:45
shading in here and if you want to really go for the details
26:49
I do believe you can see individual hairs again sort of radiating out from
26:57
the center of the face but very short i believe the fur in this part of the face
27:05
very very short very trim you know when they're when cats go to the barber they
27:12
say please just really keep it real short there across the front of my face
27:19
it's just they can't stand it have it get real shaggy there
27:23
so across this area i had put in you know it somewhat random shape
27:31
I don't know it's me you know based on a photo that i looked at I don't know if
27:35
there's any consistency from one breed to another but at least one type of cats
27:42
and there's darkness
27:44
sort of i'm making it kind of a gray but right along here as I said quite a lot
27:51
of white just beneath the eye and let's see oh we're gonna get down to this area
28:00
where you're going to see the whiskers and I thought maybe that could be one of
28:05
the last things I'm just gonna sort of - in a fair amount of grey here so as to
28:10
show you how you might be able to draw whiskers in here with any racer
28:19
so I'm kind of cheating a little bit here i'm going to refine the shading
28:25
quite a bit later on but i wanted to get in sort of a base of grey here so that i
28:31
can switch to a brand new pencil right out of the box that has the nice you
28:36
know
28:37
untouched eraser that will allow me to go in here and start going across
28:45
excuse me and hopefully you can begin to see how this might allow you to two
28:51
indications of whiskers
28:55
you do want to pay attention to the direction the whiskers tend to go strip
29:02
start horizontal near the top and then begin with gentle curves to begin
29:09
pointing and down
29:11
I guess a little diagonally you might say they're also our whiskers I don't
29:17
know they're called whiskers white hairs of the sort right up here in what we
29:25
would think of as the eyebrow region the I bravia
29:31
region as we call it not nearly as many as down near the nose i would say maybe
29:38
three or four at most but what I'm gonna do later on is used whitewash to make
29:45
this white her still
29:47
I thought I'd give you the option for those of you who don't want to mess
29:49
around with white wash which is an opaque white paint you can maybe get
29:55
away with just using any racer for conveying a little bit of the whiskers
30:03
well I am sad to say that I think we have reached maybe the end of the real
30:07
time drawing i hope you got enough of my point is I'm drawing the fur I know that
30:14
can be you know a contentious issue for some of my viewers
30:19
they're like I got everything was fine until you started racing through the fur
30:23
well it really is a time-consuming thing to do the kind of drawing that I'm going
30:27
to do here this morning
30:29
for me it's morning for you it may well be the middle of the night but to do
30:34
this kind of drawing this level of detail it's gonna take me like three
30:38
hours altogether and i would think and i am not going to upload a three hour
30:42
video folks not the day anyway so i'm going to go ahead and refocus so as to
30:48
cover all the rest of the fur and so forth and even bring in my black and
30:54
prismacolor my trusty black prismacolor which is really just a fairly ordinary
30:58
black colored pencil to darken things and i'm going to do all that stuff and
31:02
maybe just come back to do a little bit of the wash application real time before
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we wind down the video
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yeah
31:16
yeah
31:19
yeah
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all right well as you can see I put a lot of time into rendering the fur and
31:37
probably two hours all together to achieve this effect and yeah sadly you
31:44
can't just show all 2 hours real-time like that but you know maybe in the
31:47
future I can come up with
31:49
finally the video that focuses on forever and creating the effect of fur
31:55
but for now what I want to do is add a little bit of whitewash which is an
32:00
opaque white paint you have to dilute it with water a little bit and then that
32:07
allows you to add some highlights like I'm going to do right now to the eyes
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now of course you could just try to avoid putting pencil there or erase it
32:19
away but with the whitewash you can get real sharp edges to the White that's
32:27
pretty hard to do when you're erasing my way to the White of the page and I
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didn't mean to say that all you need to go out and buy some like wash i just
32:37
wanted to show people the effects that were possible if you did decide to
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invest it doesn't cost that much
32:44
invest I'm going to invest in white wash it's only like two dollars or something
32:48
to get a tube of whitewash
32:51
but as I said don't forget to dilute it a little bit with water well i'm going
32:55
to go ahead and finally one last little bout of time lapse here to use this
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whitewash to get just that last bit of contrast in here maybe on the sum of the
33:05
whiskers and so forth and then i'll be back with a few final words
33:12
all right
33:14
others my video on how to draw a cat please let me know what you thought my
33:18
apologies for having taken so long since the last animal related video that's why
33:24
i put a little extra time into this one I wanted to make it something special
33:27
sort of make up for the lost time but hopefully i'll have another animal how
33:30
to draw video a lot sooner but until then I want to thank anyone who has
33:35
supported me by getting any of my books like Brody's ghost and miki falls both
33:39
of these graphic novels and the realism challenge probably the closest thing to
33:43
what you saw in this video today and teaching you hyper realistic drawing
33:48
illustrating techniques and of course mastering manga and mastering manga to
33:52
always super appreciative of anyone who helps me out by getting any of those
33:56
books but let me go ahead and lay down this pencil
33:59
I want to thank you all for watching this video I hope you found it helpful
34:02
and i'll be back with another real soon1
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